Drawing is one of the most important practices you can do as
a visual artist.
In 2005 and 2006 I was studying in the Communication Arts
department at Virginia Commonwealth University (VCU). While I was there I
took two life drawing classes with
George Pratt. It changed my life. These classes were 5 hours long and we
started out doing 5 second gesture poses and gradually worked up to one minute
by the end of the class. It was impossible to make a good drawing in 5 seconds.
That was the point; it relieves you from the burden of having to make a “good”
drawing. It also teaches you to turn off your analyzing mind and trust your
instincts. Thinking about drawing or worrying about what the outcome is going
to be like is an obstacle to the act of drawing. Once you know all the basics of drawing, don’t think, just
draw. Your mind has all these ideas about what a person is
and looks like that are going to get in the way and cloud your vision.
This style of drawing places the emphasis on SEEING what is
in front of you. Drawing is about translating 3 dimensional information into 2
dimensional information. A huge percentage of “good” drawing or rendering is in
learning how to see what you’re seeing.
This technique of “speed drawing” teaches you to get to the
point of what you’re seeing, to really pick out what is essential and
interesting about what you’re seeing.
To
truly See what you are drawing. Without your idea about it getting in the way.
Feel the essence of what you are drawing.
Georges pearls of wisdom about seeing and
drawing are engrained in my mind: Make a statement with each line you put down,
be bold, make each marke mean something. React to what you are seeing.
This kind of drawing will help you
develop your “voice” You always hear artists talking about finding their voice,
well, the style that emerges from this type of drawing is not contrived, it is
your natural innate style of expression through drawing – your voice.
Now, I’m studying Painting in the MFA
program at Laguna College of Art + Design. I’ve had the opportunity to mentor
with Kent Williams (who happens to be one of my favorite artists). One of the
first things he emphasized to me was the importance of drawing. I’ll never
forget the example he used: Egon Schiele - can’t paint worth a shit, but people
absolutely love his work because the drawing is interesting. He suggested drawing
from life for at least 20 minutes a day or 3 hours a week and how important it
is to keep that consistent. Like staying in physical shape through exercise,
you stay visually fit through drawing.
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